Selected Poems
Lana Turner, “The Window Through Which You See My Face” (forthcoming)
Indiana Review, “On Deception” (forthcoming)
Duck, “A Reading from the First Letter of Saint Paul to the Corinthians” and “Eunuch Logic” (forthcoming)
Peripheries, “Untitled” (forthcoming)
West Branch, Psalms 38, 102, and 130 (forthcoming)
w/ Sam Bailey and Emma De Lisle
Oxford Poetry, “Null Value Psalm” (forthcoming)
The Florida Review, “Maggot” (forthcoming)
AGNI, “If You Asked Me To I Would” and “Annunciation, Part III” (Spring 2026)
The Georgia Review, “Sick Goat” (Spring 2026)
The Iowa Review, “Lobotomy,” “Open-Source Psalm,” “The Pit,” and “This Is the Patron Saint of New Haven” (Winter 2025–26)
Changes Review, Psalms 32 and 51 (March 2026)
w/ Sam Bailey and Emma De Lisle
Annulet, “Measurer,” “Larva,” and “I Am a Girl” (February 2026)
Kismet, Psalm 6 (November 2025)
w/ Sam Bailey and Emma De Lisle
Reprinted on Poetry Nightly (December 2025)
Selected for Best Literary Translations (Deep Vellum, 2027), guest ed. Emily Wilson
Fine Print, “Killdeer, Part II” (October 2025)
Nominated for a Pushcart
Bat City Review, “Enter the Horse, Darkroom Door, Part I” (Spring 2025)
The Missouri Review, “Enter the Horse, Darkroom Door, Part II” (May 2025)
Peripheries, “Psalm of the Fifth Brain” (Spring 2025)
The Adroit Journal, “The Most Beautiful Bathtub in the World” and “Give Up If You Think You Can Choose” (April 2025)
“The Most Beautiful Bathtub in the World” reprinted on Verse Daily (April 2025)
The Georgia Review, “Now That You Own It” (Spring 2025)
Nominated for Best New Poets
Published as “Your Dream of My Life, You Who Now Own It”
Mark, “Detroit Sonnets” and “The Clam” (December 2024)
Mizna, “Seraph Zone” and “Birthday” (Fall 2024)
The Missouri Review, “Priory Rd,” “Mass Ave,” “Goodbye Dirt” and “Obsession/The Edge” (Fall 2024)
Blackbox Manifold, “Bad Debt” (August 2024)
Reprinted on Poetry Daily (January 2025)
The Drift, “Cape Neddick” (July 2024)
West Branch, “July” and “Distractions” (Fall 2023)
“Distractions” reprinted on Poetry Daily (November 2023)
bath magg, “Lent” (April 2023)
Pleiades, from New year poem (Summer 2021)
TriQuarterly, from New year poem and “After returning to King’s College Chapel” (January 2021)
BOAAT, from New year poem (August 2020)
Narrative Magazine, “The keepers” (March 2020)
Poetry Magazine, “Bad classics” (February 2020)
Narrative Magazine, “Türkenmarkt” (November 2019)
Copper Nickel, “Tragedy” (October 2019)
Peach Mag, “I keep a strange list” (July 2018)
The Iowa Review Online, “Earth usually has more than one moon, study suggests” (April 2018)
The Rumpus, “Շարական (‘In this new country’)” (April 2018)
Slice Magazine, “My suburbs my forgotten land” (Fall 2018/Winter 2019)
Hobart Pulp, “Performance after the end of the world” (August 2017)
Cosmonauts Avenue, “No steeple” (March 2017)
Best New Poets, “The river burns /” (Samovar Press/Meridian, 2014)
DIAGRAM, “Give me a topic” (December 2014)
Poor Claudia (10 Sources online series), “Movie Star with Vanilla Milkshake” (October 2014)
Washington Square Review, “Agronomy” (Summer/Fall 2014)
Reviews and Criticism
Poetry Daily, “Talin Tahajian on Frank Bidart’s ‘Half-Light’” (July 2024)
The Yale Review, “Poems on the Divine,” introduction and curation (December 2023)
The Kenyon Review Online, “‘A deep well of love’: On Fiona Benson’s Vertigo & Ghost” (May/June 2020)
The Kenyon Review Online, “‘This is what we’re doing’: On Eileen Myles’s Evolution” (July 2019)
The Adroit Journal, “Adroit’s Best Books of 2014,” blurb on Crystal Eaters by Shane Jones (December 2014)